‘Portraying
Psychosis’
ABOUT
My final major project focuses on the subject of mental illness, society’s
connection with it and the state of mind people experience when having a psychotic
stage. I want to focus mainly on schizophrenia and the differences in
emotions, behavior, willing, perceiving and thinking that occur with the
disorder.
Mental illness has always been a taboo subject, not something to be
discussed in everyday conversation. As a result mental illness has become a
large stigma in today’s world, something exaggerated by the media. People laugh
at things they are afraid of and do not understand-reacting to something unfamiliar
in a familiar way.
This is
a strange attitude to have considering 1 in 4 people experience some sort of mental
disorder in their lifetime.
I want to explore the relationship we have with
the mentally ill. To do this I hope to create a piece of furniture that will
reflect a mentally ill person’s state of mind. I also want my work to help
spread awareness about mental illnesses by informing and helping people to
understand what it is to be mentally ill. I want my work to try and bridge the
gap between people and rid the stigma associated with mental illness. I
hope to change the viewer’s perception of mental illness by creating something
which is visually interesting and allows viewers to interact with it.
“Madness is inside
all of us; in our dreams and nightmares, buried away in the deep recesses of
our minds”--A R K
Mitchell
WEEK
ONE
23th
February 13
After deciding what I wanted to base
my Final Major Project around I wrote my Statement of Intent and equipped it
with a timetable to help me structure the ten weeks ahead and record how I will
be using my time.
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Planned Timetable |
25th February 13
Visited MMU library today. Found some relevant books which will help me
learn all about the different mental disorders-in particular Schizophrenia.
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Lots of reading to do! |
28th February 13
Some interesting and
emotional research on the net:
2nd
March 13
Three books down and a lot of notes!
Want
to share some of my newly equipped knowledge:
(Gained mainly from the book Schizophrenia-The meanings of madness – A R K Mitchell)
"Schizophrenia-A mind
divided against itself” -A R K Mitchell
Schizophrenic people do NOT have
split personalities like most people wrongly believe; it is a disorder in which
the way we function is separated. For example; A Schizophrenic person may hear
voices. It is their thoughts but there are no feelings attached to those
thoughts, causing a person to conclude- “I must be hearing an invisible entities
voice”.
The
5 main aspects that are affected when someone suffers from schizophrenia are:
THINKING- thoughts can be vague, woolly,
their internal coherence gone. Control over thought process is lost and speech
reflects it; rambling trying to keep up with rate thoughts are switching
(Thought insertion). People try to come up with a solution as to why their
thoughts have gone: “me but empty”, “life
must be death because of the death of my emotions”
Sometimes
thoughts stop, (Thought derailment) leaving people with the feeling that something, took my thoughts away.
Thoughts
may narrate a person’s actions, but in this instance due to the lack of emotions
that go with the thoughts, they can’t associate to them and feel as if they are
being observed and controlled. It
gives the effect of hearing voices.
Some
people may gain unshakable, delusional beliefs which have no logical
connection-“I am being controlled because
the trees shake in the wind”.
It
is this loss of thought and delusions that make someone loose sense of their
own identity and feel as if they are being absorbed by their surroundings.
FEELING- In order to feel in charge of
ourselves we need to have an identity, purpose and conviction, we are free to
respond to our circumstances.
However
when feelings and emotions feel blunted, flattened and stilted there is no spontaneous
variety. Usual range of emotional responses is reduced producing a feeling of
emptiness and portrayal of feelings that are out of context with a situation. A
person may be so unsure of themselves that they do not know how to react to
others (defective emotional feedback).
Reaction
to others is based on a mutual recognition and reciprocation of the state of
another. Schizophrenics are unable to achieve this.
PERCEIVING- Normal registering of a situation,
in which someone is able to relate to by past experience and release a
perceptive response, is not achieved in a schizophrenic. They may react to a
situation wrongly; hysterically laughing
in a quiet room. Thoughts are perceived as voices and somatised hallucinations may occur. This is when a sensation is
felt in the body and perceived to be radar beams controlling them, they are
changing sex or being electrocuted.
WILLING- Due to a different way of thinking,
willing changes. People lose the will to do anything, lack drive and ambition
and as a result become socially incompetent. This is a negative symptom, the positive
symptom is episodes of sustained outbursts of drive. This leads to hazardous
impulses of movement. Neither leads to an efficient way of living.
BEHAVING- This is the final outcome of all
the above. As they are disturbed, so is a person’s behaviour; strange beliefs,
odd behaviour, reacting to a situation wrongly. People often neglect themselves,
do not wash or eat, may become dependent on drugs or alcohol. Some people
become paranoid that they are going to be persecuted and either attack the
believed persecutors or lock themselves away from the outside world. Following complicated
rituals and routines eliminates anything unfamiliar and therefore any possible threats.
They also help a person fell less like they are losing control or contact with
the outside world.
Some
may turn their fury on themselves as an act of self-mutilation or destruction. Objects
may be hoarded in the belief that they possess a magical power that will help protect
them. Strange things that are not usually there, like a crack in the wall may
be perceived as a big danger. An obsessive defense is constructed around the person
to help protect them from unknown dangers and lessen the chance of being caught
out.
In
schizophrenia there is a break in the continuity of self, leading to the belief
that they are under attack. People feel threatened in a basic way. All values
and perceptions that you rely on are no longer there to orientate yourself around.
The habitual patterns of thinking, feeling and perceiving are broken up.
WEEK TWO
4th March 13
Handed
in my Statement of Intent
6th March 13
11:30 am: Had my first tutorial with Joe
Hartley-discussed possible ways to portray the separation of feelings and
thoughts, e.g. a fully functioning table, but none of the parts are combined;
they have the potential to be whole but can’t manage it.
6:00 pm:
Visited
a fund raising event for the charity Mind, in Stockport. Got some information about
their work and a leaflet of dates when there are support groups to help people
effected by mental illness. They seemed quite intrigued the ideas I have for my
art.
8th
March 13
Trying to see life
through a mentally ill person’s point of view;
Click here to look at
some emotional drawings
WEEK
THREE
11th
March 13
Elle
Simmons came in for a tutorial. Discussed the idea of creating an installation,
around my work. This could consist of uncomfortable coloured lighting or playing
a sound which is just outside the frequency humans’ can hear at. This would
have the effect of making someone feel uncomfortable without being able to say
why. Quite like playing on someone’s subconscious. The idea came from trying to
create an environment that would portray how someone who is schizophrenic would
feel. They feel at odds with their surroundings and I want to try and make my viewers
understand it after experiencing my work.
13th March 13
Had
another tutorial with Joe Hartley and wanted to push the idea of an
uncomfortable installation further. He told me that the size of an A4 piece of
paper is the perfect dimensions that make people feel comfortable. It appears
over and over again in nature. Architect Andrea Palladio took this theory and made a whole house around it where everything was made to
those proportions. This gave me the idea of playing around with the proportions
of my furniture. This would make my work look a bit ‘off’ but the viewer would
not know why it did not look right. Possibly create un-ergonomic furniture that
is not quite functional. Whilst researching this I also came across Thomas Heller and his A4 chair.
Whilst looking at un-ergonomic
chairs I came across the interesting concept of
uncomfortable, Fleeting seat collection.
They have been designed by a number of people to encourage quicker meetings.
This chair is the one that originally caught my eye. It is a fully functional chair but a slight change in the angle of the seat makes it too uncomfortable to use. This intrigues me. It is again the idea that something is not quite right, the tiniest difference can have a big effect and be quite unsettling to a person.
14th March 13
Decided
to make some models of my ideas to just experiment, play around and see what I come
up with. Here are the results:
1) Only
room for One- I
wanted this model to portray the paranoia that sometimes comes with having
schizophrenia. I used the table as it is associated with socialising-family
meals around the table. This table looks like it could seat two, however when
you look closely you realise that there is only one place at the table that is
accessible. This for me portrays how they have blocked out the outside world,
keeping to their many rituals, becoming socially incompetent. I drew on the
plate, knife and fork to resemble how the schizophrenic can feel like they are
not real anymore, as if they are gradually being absorbed by their environment-they
have no identity. It also represents how things are not perceived properly,
something may seem real to them but in reality it does not exist.
2) Protection
and Persecution-
This model is of a cage surrounding a round dinner table. I used a round table
as I feel that is jars with the harsh straight lines of the cage. It also
reminds me of a circle of people gathering to eat together, all facing each
other, again emphasising the loneliness of a schizophrenic’s world. The cage
represents their protection from the
outside world and all of its dangers. It is the tight, complicated web that a
person may build around themselves to keep out danger and prevent uncertainties
from entering. It also represents the mental barriers that stop people from
getting close, understanding and helping.
It also however represents the barrier
there is in society between people and the mentally ill. Their disorder persecutes them, not allowing them to be
socially accepted or talk about their disorder for fear of discrimination and
negative reactions.
3) From
Buzzing to Nothing-
I wanted to focus of the pattern of thoughts for this model. The brain can
flick from one extreme to the other with no warning. It is the most powerful
thing in our body. It can plan out and make someone’s life or it can completely
destroy it.
The uncontrolled wire side of the
table represents the buzzing, erratic thoughts that pop into the brain. Ones that
are not easy to follow and lead to rambling or making up words to describe the
experience (Thought insertion). Your mind feels alive, buzzing, electric.
However it does not last for long,
swiftly all thought is whisked from your mind leaving you speechless, emotionless,
flattened. It feels almost as if someone has stolen your thoughts (Thought derailment).
WEEK
FOUR
18th
March 13
10.00 Dave, Joe
Hartley and Elle Simmons ‘Thinking through Materials’ talk
Gave
me some good ideas about how to approach designing and creating my product. I
like the idea of 3D drawings.
19th
March 13
After
a discussion with Dave we stumbled across the kooky furniture designer Fred Baier. After looking at
some of his work I found myself particularly excited. Studying the way he
matches strange shapes and objects together to make a piece of furniture has
really inspired me. His work remind me the era of ‘make do and mend’, fitting together objects to create something
else entirely. I really think I can expand this idea. The fact that things are
so random and have not got a flowing continuity about them really reminds me of
the structure of thoughts a schizophrenic person may develop. It also reminds
me of the tendency some schizophrenic people have to hoard. Hoarding useless,
random things occurs because of the belief that the objects possess some sort
of magical protective power, which will shield them from the confusing and
unpredictable outside world.
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Fred Baier’s Prism chair-lacquered |
20th
March 13
Visited
the library to look for books on Fred Baier. Whilst I was there, I came across a
few good designers.
One
in particular is a chair with no legs by Suwaru Style. It is based
on the traditional Japanese Dodo chair-a legless chair. I like this idea. A chair has been designed
with the potential to function properly, however the only thing stopping it is
that lack of chair legs. It reminds me of a brain which has all of the right
functioning parts, however the subconscious stream that usually connects them
is missing and therefore the brain does not function as planned. As a result
things as perceived wrongly and the symptoms of schizophrenia exist.
22st
March 13
I find his work incredibly interesting,
he has combined three iconic Brazilian chairs with the physical shapes of
sounds recorded on the streets of Brazil, 3D printing the outcome:
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This chair was inspired by Giraffe a chair designed by Lina Bo Bardi, Marcelo Ferraz and Marcelo Suzuki. |
I find his way of designing an incredibly
interesting concept; to take an already existing chair and adapt it according
to the sounds of the place it was created. The chairs reflect the atmosphere of
the streets in São
Paulo brilliantly and I think it is a fantastic way of
representing a place. I think this idea could also be used to create a piece of
furniture based on a mental illness; brain waves could be recorded and then
printed.
I like the fact that the chair has been printed. It is not the
conventional way of producing a chair and for me, gives it an almost fake feel.
This feeling could be used in my work to represent the fact that there is a
fully functional chair, however there as aspects of it that is not expected,
almost as if it is not quite right, not real. This would reflect the state of
mind a schizophrenic person sees the world in, as if they are fading away and
the world is not right anymore, it is becoming less of a reality.
The other main thing I would like to concentrate on with this chair is the shape. It reminds me of something that used to be whole, which has been fractured and then stuck back together, with the expectation that it will work properly again. I think the fact that the chair is whole, but seems to have fractures, reflects the fractures in a schizophrenics mind that stop the whole brain functioning as expected.
The other main thing I would like to concentrate on with this chair is the shape. It reminds me of something that used to be whole, which has been fractured and then stuck back together, with the expectation that it will work properly again. I think the fact that the chair is whole, but seems to have fractures, reflects the fractures in a schizophrenics mind that stop the whole brain functioning as expected.
This is a short video on one of his chairs. I included it as I
like sounds and angles the chair used to document the chair. I find it quite
disorientating.
Video by Na Laje Filmes
EASTER
26th
March
Being inspired by my artists and the
shapes found in drawings done by the mentally ill I experimented with my drawings
and created shapes I felt could be used in my work to symbolise mental illness,
just playing around, experimenting really.
29th
March
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Some Sketches |
Based on the harsh angles of Guto Reqena’s Nóize chairs, and some of
the shapes I produced earlier in the week,
I made a model of a table. I have moved back to the idea of tables as I feel
the circular sharp represents the continuous cycle of schizophrenia, but also
the fact that it is no longer the centre of family life due to having such a
disruptive disorder.
I liked the idea of more than one
layer used to make the table top as I feel it shows that there is more to
mental illness than meets the eye, you need to strip down the layers of
emotions and turmoil that come with having schizophrenia to really achieve
understanding of the disorder.
I also made the edges unstable and
rough to symbolise the hardships of experiencing schizophrenia, it prohibits ‘normal’
family life, just as the rough edges prohibit ‘normal’ use of the table.
The leg is made up of a bent wire
that would be a metal pipe. It resembles the scramble of thoughts experienced
and how the usual stream of thought processes is disrupted.
Disrupted Dilema
9th
April
Disrupted Dilema
Simon
Thomas’ Floating
bench
11th
April
Working with the idea of gaps in a piece
of furniture like the Floating Bench and
my previous model (Disrupted Dilemma), I then designed another model:
Schizophrenic
states- is a table that contains a stable state
(the flat, neat part), which gradually changes into a psychotic phase (the
black, sharp edges). I wanted this model to represent the change of emotions
felt when experiencing different stages of the disorder. When stable the table
is neat and flat, almost usable, however the sharp, piercing spikes that
disrupt the calmness of the first half symbolise, the peaks in the disorder,
the rapid changes, and the unstable, non-functional condition a person is left
in.
The legs are bent cones and strips
of wood that do not allow the table to stand properly, echoing the fact that it
is a non-functional table, despite all of the components being there they do
not work properly together, like a schizophrenics brain.
The black is a viscous liquid poured
all over the psychotic state which then dried and hardened dripping off the
edges-I want it to symbolise the slow and uncontrollable dripping away of a
schizophrenic person’s identity and sense of self. For the real thing I intend
to use some sort of resin.
WEEK
FIVE
15th
April
Had a discussion with Dave about my schizophrenic
states model and decided it looked like the cycle of schizophrenia but
was too sudden and didn't flow as well as it could. Going to develop it further
in my next model, which I have partial designed
16th
April
10.10-
presentation talk with Matt and Li-en
Gained some more ideas for my exhibition
and how to improve my models
1.00-
Had a tutorial with Matt who helped
me plan out how I would CNC cut out my plywood and the possible use of dyed
latex in the place of resin. The use of plywood would reference that IKEA
family flat pack furniture feel, which would be slightly ironic in my work, due
to the fact that the table it would not be used the usual social events of family
life.
1.30-
Peer review which I got some
positive feedback from.
19th April
Designed
my next model, to make it better I have split it into the seven main states experienced
by a schizophrenic person (stable, depressed, not feeling quite right, deluded
thoughts, erratic thoughts, hallucinations and psychotic). Each state would
lead on to the next on in a never-ending cycle-The Seven Stages of Schizophrenia.
Here is an explanation of each section:-
Here is an explanation of each section:-
Stable-
Everything is not out of the ordinary and therefore the
table is a normal flat section
Depressed-The
table is the same as the stable state, however the colour has changed to murky,
hopeless black. This resembles how someone who is depressed looks the same, but
is in a darker place emotionally
The
feeling that everything is not quite right- Cracks
begin to appear marking the beginnings of the gaps and cracks forming in a
schizophrenic persons’ stream of thoughts.
Delusions-
The table suddenly buckles and becomes un-usable. This marks
the stage at which a schizophrenic persons’ feelings of not feeling right are
solved but the emergence of some sort of strange delusional belief. The table
had buckled as it marks the beginning of the deterioration.
Erratic
thoughts-This section of the table is unstable and
now has broken bits of wire protruding out from it. The wire represents the
broken streams of thoughts and the lack of connection between thoughts. Thinking
does not flow and concentrating is hard.
Hallucinations-
The buckles in the hallucinating section of the table
have now changed direction, flowing in the opposite direction to the buckles in
the erratic section.
This represents a complete change in
the way a person would perceive something and marks the emergence of
hallucinations. There will also be resin pouring over this section and in the
resin will be odd trapped objects, objects you would not expect in a table, all
flowing off suspended in the resin. This is to give the effect that the viewer
may be themselves imagining what is going on.
Psychotic-The
last section is the psychotic state where it is burnt, roughly cut up into
bending spikes and images are carved into the woods surface. The resin is
dripping off the edges of the table and in-between the gaps-sense of self is completely
lost, flowing away like the resin.
Here is another picture of different
angles of the model:-
The
Seven Stages of Schizophrenia
Once I had made the model I decided
to play with the lighting and camera effects (slow shutter speed) to make it more
disorientating to look at:-
After creating these pictures I have
decided that I would like to have some sort of lighting shining up from the
ground onto my table to cast shadows onto the walls and ceiling to give my work
an extra dimension and catch peoples’ attention.
WEEK
SIX
22nd
April
Looked at the works done by Richard Deacon,
reminds me of the turmoil of having a mental disorder-almost like a Rolla
coaster ride of ups and downs.
This one, for me, is one of his most
particularly striking pieces, it is called The
Missing Part
The Missing Part
1996
Aluminium and wood
430 × 364 × 357 cm
Private ownership
23rd April
Began creating my final design by amalgamating
parts form all of my past ones. Felt that the The Seven Stages of Schizophrenia model
needed more work as the sections did not go together as well as I hoped, the
story I was trying to tell with them was jarred and did not flow.
I have decided to layer the different
stages up on top of each other, reflecting the gradual build-up of symptoms,
emotions and loss of identity. Here is my initial drawing:-
The Campana Brother’s wood chip chair
24th April
Ran my
ideas past Li-En in a tutorial and showed him the process of my half assembled model.
This is the progress of it so far, now I have some pictures I can describe
exactly what I want to achieve/portray:-
Assembled things I need to make my model
- The top layer is going to be made out of two 6mm thick sheets of plywood 900mm x 900mm. It will have varying sizes of holes and dents it the top to represent the gradual breakdown that comes with having schizophrenia and the slow emergence of gaps in a person’s stream of thoughts. The holes will also allow the viewer to look through at the objects trapped in the resin on the second layer of the table.
2+3. The second
layer will have the objects trapped in resin on top of it. It will be composed
of two 6mm thick hardboard, 800
x 800mm sheets, which has been warped it the rain. The warping will reflect
warped thoughts a schizophrenic may have and will also hinder the top layer
from sitting flush. This will represent the widening of the gaps in the brains
functioning stopping it from working properly.
4. The
last layer may not have holes in and will be separated from the other wood by a
sheet of metal- representing the
physical barrier of discrimination between society and the mentally ill. The bottom
section of 6mm plywood 1000 x 1000mm approx, will not necessary have holes in
but will have cut spikes at the edges that have been kicked around and are
slightly bent. They are also burnt. All of this represents the total breakdown
of a person and the uncontrollable symptoms that can ruin a person and have
massive consequences on their family’s life.
The four legs represent the parts of
the table on top-the two legs on the less holy side of the table are whole and
fracture-less, whereas the two on the other side are broken up into fragments
of wood nailed together. The broken legs reference the breakdown of a person’s
identity and the fracture in their sense of self.
Over the whole table there will be
clear resin. I want it to be poured over the top into the crevices and dripping
over the edges. It will harden in this shape and trap the objects in-between
the table layers. It will again represent the uncontrollable and unstoppable
flowing away of someone identity and the unpredictable consequences of the
disorder.
Finally under the table will be a
bright light that shines up through the gaps, casting strange shadows onto the
ceiling and walls. This will help attract viewer’s attention and curiosity but
also represent the gaps in-between ‘normal’ thought processes and thoughts
leaking away without control.
The whole table will be suspended
slightly off the ground to again make someone stop and look twice. It will also
portray the feeling of being a puppet, controlled by an invisible entity, the
suspended wires referencing puppets strings.
The fact that my table is suspended will also mean that it is again not
functional, always referencing to the loss of normal function in a
schizophrenic brain.
25th
April
Working to finish my final model:-
I also sourced some wood from a skip
with the help of a friend!
Also found some planks of wood that
I can use in the middle of the table design:
26th
April
Sourced some wood from the park near
me, chips are from freshly cut down trees. I intend to use them to construct
two of the legs.
To make my life easier I have made a
black card cut-out of the shape the top of my table will be. This means I can
scan it into the computer, upload it to illustrator, and draw around it. I will
then have the exact shape I want cut in to the wood with the CNC cutter. Here
is the development of the card cut:-
The red dots are where I want the
wood cut to half the depth, so there is a dent in the wood not a hole
28th
April
Got some plywood for the top and
bottom of my table!
WEEK
SEVEN
29th
April
Experimented with the resin on my model
to finish it completely:-
I think despite the colour it still portrays
the texture and feel I want my table to have.
30th
April
Designed and cut out the shape I want
the bottom of my table to be like, out of black card. Scanned it in and this is
the result, the scanner cut the edges off slightly:
1st
May
Opened my two scanned card designs
in Adobe Illustrator and pressed Technical Drawing to turn them into line
drawings.
However after talking to Aidan the laser cutting technician, I discovered that they are no good. The smallest drill bit the CNC router has is 6mm diameter. That means that my jagged edged cuts are too delicate and complicated for the machinery. I now need to hand draw round my images on Adobe Illustrator, to smooth out and un-complicate the lines.
However after talking to Aidan the laser cutting technician, I discovered that they are no good. The smallest drill bit the CNC router has is 6mm diameter. That means that my jagged edged cuts are too delicate and complicated for the machinery. I now need to hand draw round my images on Adobe Illustrator, to smooth out and un-complicate the lines.
2nd
May
After spending hours drawing round
the shapes on Illustrator I have
finally finished!
As you can see the holes are now
much smoother and will be easier to cut out now:-
After talking to Aiden again, I have
decided to cut the jagged edged shape out by hand, as it was a 6mm thick piece of
plywood. This combined with my design means that if I were to cut it out on the
CNC router, there would be a danger of the thin spikes breaking off altogether,
due to the force of the machine. It is more of a job for the laser cutter,
however that is also not an option as it is too small for the scale I am
working on. If I were to use it I would have to chop my wood in half and glue
it back together later.
I also glued my two 6mm, 900mm x
900mm plywood sheets together to make it 12mm thick sheet. It is now ready to
cut out my holey table design on the CNC router machine. I could not do this
for my other design as;
a) I have no more wood and
b) I want the bottom layer to only
be 6mm thick max.
3rd
May
Saved my Illustrator drawings as a .dwg file today, meaning that it is now
converted to a file I can open up on Art
CAM, the software used to program the CNC router.
Once that was done I booked a slot
for when my wood can be cut and gave the design to Aiden. The earliest slot is on Tuesday 7th
May. That gives me some time to concentrate on other areas of the construction of
my table.
5th
May
Today I wanted to experiment with
trying to burn a strip of plywood. The reason for this is that I want to partially
burn some of the layers of my table to add a feeling of the total loss of
control and the meltdown of a person’s usual life style.
I did not have any implement big
enough that could be used to burn the wood so I improvised:-
These are the things I used to make
a torch
I set it on fire and then used it to
burn the plywood:-
Here is the result:-
I am quite pleased with the way this
turned out but next time I feel like I will need a bigger flame to get the
effect I want, maybe a bonfire!
WEEK EIGHT
6th
May
Experimented adding glass to my plywood
with translucent sealant today. Wanted to see if it would work:-
I am pleased with how both turned
out and want to add them to the final product to enhance the feeling of chaos
and the feeling of unseen entities in control (the evil eye/all Seeing Eye).
7th
May
Went to collect my wood from the CNC
router. Finally have the top of my table done after all of the effort with the
files : )
The CNC Router and my cut wood
8th
May
Pleased with the size of the table
top-I used the measurements of an existing picnic table that we have. It seats
four but is smaller than the average family sized table for easy portability. I
like this size as it is still big enough to seat more than one person, but it
is slightly more awkward to achieve it. It references the family table but its
size symbolises how it will not be used as a family table, emphasizing that loneliness
and alienation some schizophrenic people can experience.
Today I firstly took the middle sections in the holes out. They were attached with two tabs which are easy to break off. It was done to stop them rattling around when the wood was being cut.
I then had to file down all of the broken tabs and sand round all of the edges
to get rid of splinters. Lots of rain showers, splinters and windy hours later
it is done!
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The files and sand paper used |
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Sanding in the garden |
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This picture doesn't show the difference of before and after that well but this is the development the wood went through |
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This is the card design I originally made for the CNC router and the result |
9th
May
To create the shape of the bottom layer of my table correctly I drew around the one already cut out and added the rest of the design.
I used the template I cut out of card as the starting point for the shape.
Donned my raincoat and spent the rest of the day cutting out the shape of the bottom layer of my table in the garden. I used a
coping saw to cut the 1200 x 1000 sheet of plywood, 6mm thick.
I had to cut it by hand because as
mentioned before, my design was too intricate and thin for the CNC router. It would
have been likely my wood could have broken.
Started a little late in the day, so
only got a quarter of the design cut before it got too cold and dark.
The wet wood after a lot of rain!
10th
May
Continued cutting today and managed
to finish it, including sanding the edges down!
This is what it now looks like:-
This is what it now looks like:-
A close up
All this rain has also helped my hardwood warp, left it in the alley and went to check on it today. This is the result:-
WEEK
NINE
13th
May
The resin came today. Got 5kg of it just
to make sure there is enough! However it was broken and stank, I rang up to tell
them and they are sending another one, so now I will have 10 kg!
14th
May
Went into MMU today. The studios have
been cleared out and prepared to present our final major projects.
Went to see where I had been put. Turns
out I am in the exact same space! That is good thought as there is plenty of
room for my table to fit.
However there is no way of
suspending my work from the celling so instead I have decided to add an few centimetres
of clear Perspex/resin blocks, under my legs-this will give the effect of a
floating table without the extra effort of suspension. I have also decided,
with the help of Dave to add circular mirrors under the legs of the table to
make it look like there are holes in the floor. They will also reflect the
underside of the table and give a disorientating, confusing view to someone
looking. I hope it will create a strange effect and make someone think ‘am I seeing things?!’
This is a picture of the space I will
be working with:-
16th
May
Made the most of the lack of rain
this morning and went out and cut my hardboard. The hardboard is also thin enough
to rip and creates a rough flaking, edge. I really like this effect, that
combined with the warped wood has created the exact look I wanted:-
Combined it with my plywood cut layers and this is the result:-
17th
May
Today was a big experiment day.
FIRST EXPERIMENT:
As you know I want the edges of the
bottom layer of plywood to be burn to make it black and represent depression,
loss of control and a meltdown of a person’s identity. However I feel that the
first experiment with the home made torch did not create a big enough flame.
As a result I wanted to experiment with pouring flammable materials onto the wood and setting them alight.
WARNING: DO NOT TRY THIS AT HOME.
I had someone to help me, proper clothing and an
emergency fire extinguisher.
I started with alcohol to see if it
would produce the look that I wanted however it did not have enough alcohol in
to burn.
The last thing I tried was aerosol. This
created a big flame just as I wanted and created a good burn mark on the wood.
The
area where the alcohol was poured did not burn which is why the top picture
(below) it is only burnt at the edges.
I feel though although it worked
well, that this is too risky to carry out on my actual wood. As a result I am
going to try burning some white spirits next time.
SECOND EXPERIMENT: Now I have my
resin I wanted to experiment with mixing, the consistency, how to use it and
that it definitely dried clear this time!
I poured it all over the wood and
got some good dripping effects over the sides as I had hoped. I also added a
bit of hardwood on top of the plywood to double check that could use the resin
as a gluing agent as well.
Another thing I wanted to test and
see if it would work was creating clear resin blocks. I need these to add onto
the end of my table legs to give the effect of a floating table since I can’t
suspend it from the ceiling any longer.
I need something to pour the resin
into to mold it, however I don’t want it to stick to the sides of the mold I
decided to use a layer of Vaseline around the edges, as a lubricating agent. Hopefully
it will stop the resin from sticking to the sides of the mold.
For this experiment I used a small,
old, aerosol lid. I lined it with Vaseline and poured the resin in. I will have
to wait until tomorrow to see if the dry resin will come out!
THIRD EXPERIMENT: Wood stain-
yesterday when I combined my plywood with the hardwood I noticed that they
obviously were not the same colour. As I result I am considering staining the
plywood slightly darker so it does not stand out quite as much. This is what it
looks like stained.
18th
May
Checked my resin block that I made
yesterday. It has cured well and even came out of the mould with a bit of encouragement!
Has a few bubbles in but I will just make sure I don’t stir it as much next
time.
Today I also carved out symbols on
the edges of the bottom layer of wood. I used a pair of scissors to do the
carvings.
They carvings are supposed to
reference the creative side a psychotic moment can bring out in someone and how
someone experiencing a psychotic moment would use symbols to cling to the
remaining parts of their personality.
For me the main symbol is the eye. Schizophrenics have drawn this symbol for centuries and it could be any of three things; eye=I (sense of self)=ego=existence, the experiences they can see or the evil, all Seeing Eye that is ‘controlling’ them.
Here is what the carvings look
like:-
19th
May
Started to make the legs today out
of the chips of wood I collected in week six. This is a rough set up of how I
want to join the legs together and what they will look like:-
Going to screw the first block of
wood to a bit of plywood and then screw the plywood to the bottom of my table.
I am using sycamore and beech wood which is very hard to screw as a result I
need to drill half way down so that it is quicker, easier and does not ruin the
head of the screw.
Once that was done I attached the
plywood to the beech wood. I drilled a hole and counter sunk the hole so that
the screw fitted in and then screwed into the block of beech.
Here is the final block of wood
attached to the plywood:-
After this I need to assemble the rest of the legs by nailing them together. I began to hammer the nails in but the wood was too hard and that nails slightly too thick. This meant that the wood kept splitting in half and I couldn’t attach the blocks together. There was only one successful nail that did not split the wood, however the wood was still too hard and the nail wouldn’t go in, it just bent!
I got some thinner nails but they
were no good either. So I have decided to try and resin the wooden blocks
together and see if that works.
The resin on the legs
Only two of the legs need to be made
from the chips of wood so after adding the resin to them, I will concentrate on
the front legs and other aspects of construction.
WEEK
TEN
20th
May
Today I wanted to focus on burning
the bottom layer of my wood, the ‘psychotic layer. The burning will leave
brown/black soot on the wood and references a complete meltdown of a person’s
identity and loss of control. The dark colours will symbolise darker emotions
like lack of drive and depression that can be experienced.
For this I used white spirits, I
knew it would work due to the experiments I carried out earlier in week nine.
WARNING: DO NOT TRY THIS AT HOME. The wood was well away from anything
flammable; I had adult help and a fire extinguisher for emergencies.
To start off I poured the white
spirits over the wood and then stepped back and set it alight. It burnt well
but was slightly slow going:-
However once I got the knack of it
the burning got better:-
To do some specific burning I made
another torch and burn some bits that needed some extra attention:-
Before and after
I then put all of the table layers together to see what they look like when fully assembled. I am pleased with the effect but don’t think I will include the planks of wood sticking out as I feel that it makes the table too busy:-
I then wanted to begin construction.
I want the middle hardwood layers to be warped but when the plywood is added on
top it pushes them flat. To remedy this I have decided to add a couple of
centre meters of resin in-between the sheets so that they are not pushed flat,
here is what it looks like:-
A close up of the layers with the
resin added in the middle:-
21st
May
10:00am
Went into MMU for a lecture on our
supporting statement
8:00pm
Got back late and by the time I was
ready the sun was going down. This meant that the next thing I needed to do was
done in the dark!
That just so happened to be resining
the top three layers of wood together. I also needed to add the bits of broken
mirrors, notes, cutlery etc. in-between the holes in the top layer. I assembled
the objects and placed them where I want them to go under the wood:-
I then took it outside and added the resin at around 2 in the morning! This is what it looked like when done:-
Each object/ thing trapped in the
resin represents something:-
Broken
glass/pottery- they first of all reference the fact that
at ‘normal’ tables, glasses and cups would be used. However the fact that they
are broken shows that they are no longer functional, just like the owner of the
table. I picked them also as they are quite brittle substances that fracture,
shatter and break easily, just like the human mind. They represent the
fragility of life and how so easily the balance can be broken.
Cutlery-
the cutlery also references the fact that the table
should be sociable place to to sit and eat around, yet again reminding the viewer
that this is not possible in a schizophrenic home. The knives and forks are
also trapped whole in the resin, reflecting how a person may feel trapped,
having nowhere to turn to-encased in something not familiar.
Mirror-
I used the mirror as a chance for anyone looking down at the table to catch a
glimpse of themselves, allowing them to stop and reflect. To really think about
who they are, what they have experienced and how they treat others. They give
you an opportunity to look at yourself and encourage thoughts of reflection
about ‘your identity’.
The resin over the top will mean
that the reflection is distorted, showing how perception for a schizophrenic
would be disturbed. The mirrors are also smashed showing the fractures in
everyone, no matter who you are, we all have our own insecurities and problems
to deal with.
The
notes- these are people’s feelings, experiences
and emotions written down. The resin has made them slightly transparent. This
reflects that fact that the way people feel and the state that they are in can
be easily overlooked and ignored. Some of the notes are scrunched up to
represent the frustration of not being heard. The mentally ill are ignored and
not cared for by society.
Wires/bent
metal/tin foil- the out of control distorted and
bent different types of metal symbolise the turmoil that someone may be
experiencing and how it gradually starts to leak out and is noticed by others.
The wire also represents the change in normal thought patterns. They are
disturbed preventing someone form thinking in an ordered, functional manner.
The
resin- the resin has trapped all of the objects
under a hostile and unfamiliar layer, just as a mental illness can do. It
prevents a person form interacting and functioning as normal, it is not visible
but is just as much of a physical problem.
The fact that the resin is flowing
and dripping away, being lost in the cracks of the table references how a
person with schizophrenia feels when their identity is being lost due to the
illness. All fundamental beliefs a person would rely on as a reassurance of who
they are have been changed and disturbed. This leaves a person unsure of who
they are and how to interact with others.
The
holes in the table top- the actual holes in the wood
represent the gradual breakdown of the way a person’s thoughts flow, leading to
the disintegration of a person and ‘normal’ life. They are the gaps that
appear, disturbing the normal functioning pattern of the brain.
22nd
May Last day, before deadline for my
table to be in!
10:00am
The adhesive layer of resin I added
last night is semi-dry. I added the last of the hardener to the resin and
poured it all over the surface of the table letting it drip off the edges.
A lot dripped off the edges so I
scooped it up in a jug and poured it back over the surface to make sure that it
was even and everywhere was covered:-
01:13pm
Whilst waiting for the resin to dry
I began to prepare the legs. I concentrated on the front two legs. For AS I
made some legs on the lathe, which I never ended up using. This was because
they weren’t ornate enough. I decided to get these out and use them. They are
the ‘normal’ legs that portray how a person with a mental illness looks
‘normal’ and can put on a brave face, hiding behind their acting.
I had stained and varnished the legs
so needed to sand them down, with grade 100 sandpaper:-
Once this had been done I cut them
to 75cm high with a coping saw. Preparing the legs took a long time due to that
fact that I was doing it all by hand. I have finished the two front ones and
marked out where the screws are going. I then made a small hole with a bradawl
to help guide the screw:-
Once I had measured out where I want
my legs to go, I created a makeshift work surface; the trampoline. I placed the
wood on four tin cans. This meant that it supported my wood and gave me room to
drill without ruining the trampoline!
I drilled a hole in the wood that was slightly
larger than the screw and countersunk it so the screw fit perfectly. All that
was left to do then was screw the two front legs on. Three ruined screw heads
later it was done:-
Luckily I have a backup plan-our
beech tree was trimmed last month and we saved some of the branches. I have one
that is a similar diameter to the front legs. I have just cut it down to the
right length and it fits perfectly. I have also made the decision to only have
three legs now, I could easily have four but as I was working out where the
back leg would go, I realised that it looked good with only three legs. It also
looks odd and not the ‘normal’ amount of legs to have. I like the idea that it
is not a regular amount of legs. It makes my table slightly uneven, just like
the thought processes in a schizophrenic brain. It also caused my brother to
look twice at my table to check he hadn't missed the fourth leg. I was happy
with his reaction because my table made him doubt what he was looking at. That
reminds me of Simon Thomas’s Floating
Bench and also how a schizophrenic would perceive something wrongly.
Because the leg still has the bark
on it also look very strange and out of place, I really like the effect it has
next to the other ‘normal’ legs, the odd one out. It is almost like a
hallucination leg:-
I
then began to attach the last leg. It is also screwed onto the plywood, however
beech is much harder than pine. As I result I did not place the starting hole
in the centre of the circle but instead slightly off. This is where the middle
of the grain is and it will be slightly softer. I then drilled into the beech,
30mm depth. This is half the length of the screw, I did this because otherwise
it would take me forever to screw it in. attaching the leg was then quicker and
easier. The legs are now finished!
6:53pm
The resin had semi-dried and formed
some fantastic drips!
7:31pm
Now the resin is dry enough to work
with I need to consider how to attach it to the bottom, burnt layer of plywood.
I have decided not to resin the bottom layer, so that my work is not uniform
and has the slight feel of being disorderly-just like a schizophrenic brain.
I have decided that I will glue some
wooden blocks in-between the bottom layer and the resined layers. This will
attach them together and also mean that the top layers are slightly elevated
above the bottom layer. There are two reasons for this. The first is so that
the drips are not squashed when the bottom layer is added. The second is so
that there is a slight gap in between the layers reflecting the gaps in the
‘normal’ way a brain functions.
I have measured the longest drips to
determine the size the wooden blocks should be. 4cm is the measurement. I have
a plank of wood that is 2cm thick so I will chop two bits off and glue them
together. I will do the same for the other side so that the top layers sit
evenly. To ensure the glue sticks I have sanded the surfaces of the wood down
and clamped them together after gluing:-
8:48pm
I then assembled the table (without
the glue for now) and took pictures, here is the finished result:-
I mentioned earlier that my table
will have a light shining underneath it. The reason for this is so that the
strange shape of my wood is projected in shadow form onto the wall. It worked
even better that I could have hoped:-
The shadow looks like a monster
looming over the table, reminding me of the invisible entity that some schizophrenics
believe ‘controls’ them. It also represents how mental illness is a big, dark
shadow in our society, something not to be talked about, something to be
avoided, however it is always there lurking….
These darker ones definitely, for
me, highlight the fear that comes with having a mental disorder:-
I also played with the focus of the
picture to make it more disorientating to look at, a dark blurred shape is far
more concerning to look at. It also symbolises how things are perceived wrongly:-
Took the top layers off the table
and the legs off the bottom layer. I can now put it in the car without just
like a piece of flat pack furniture!
11:30pm
I quickly made the resin blocks for
the bottom of the table. I poured the resin into three old bottles cut open and
the same diameter as each of the legs. I lubricated the moulds with Vaseline and
then poured the resin in. To finish I wrapped the moulds in bubble wrap to trap
the heat given off form the resin reaction. This will increase the temperature
and therefore the rate of reaction, ensuring that the resin cures overnight.
23rd
May DEADLINE!
11:00am
Checked on my resin blocks from last
night. They cured fine but for some reason have turned yellow! Not sure why
think they may have cured too fast causing a colour change, can happen. Going to
have to leave them for now and maybe make some more for Tuesday possibly?
11:30am
Table is fully packed and ready to
leave! Will have to drive with the windows open as the resin is still a bit
smelly
2:30
Got to MMU and with the help of Jenny
got all of my work up 4 flights without any disasters! Began to screw the legs
back onto my table with the help of Naomi and Jenny. I then glued the wooden
block on to the bottom layer for the top layers to rest on. Used some wood glue
that dries in about 2 hours:-
I then added the top layers and the
lamp and now I have FINALLY finished! Here is what it looks like in my space:-
The whole table
Detail
With the blind down and lamp on
Then went to look round some of the
other work, looks so good!
OVERVIEW-
THE STAGES OF DEVELOPMENT:
1. Initial idea of furniture portraying
a mental state, the research into schizophrenia and creation of the three
leaflets possibly for the exhibition
2. Contacting charity Mind and
understanding the emotions involved with having a mental disorder and then
concentrating on schizophrenia
3. Looking at and designing some
models that portray certain aspects of schizophrenia, e.g., loneliness,
paranoia
4. Working with the idea of creating
something that is not quite right, e.g., a slightly un-level chair that when used,
makes the viewer feel uncomfortable without realising why, playing with
ergonomics to make someone feel uncomfortable-referencing to the state of mind
a schizophrenic may develop. Inspiration came from the Uncomfortable seat
collection. Use of unnatural lighting and sounds just outside our frequency
zone, creating an atmosphere around the table, were also thought about. Aspects
of something that plays with your mind and leaves you unsure whether you dreamt
it up or not….
5. Began to start looking at Japanese
chairs with no legs-the idea that a product is usable but not all of the
components are there, leaving something not fully functioning
6. Moving on then to the
amalgamations made by artist Fred Baier. I like the way he uses shapes and
forms that you would not associate with furniture and then creates something
that could be used as a chair, for me concentrating on the idea that not
everything is as it seems.
7. Straying back to the table idea
again, inspiration then flowed from Brazilian artist Guto Requena and his Nóize
chairs. They reference the idea of a whole chair however due to the harsh
design, they are not fully functional. Playing around with the harsh angles of
the seat I then designed a small model of a table that represented the harsh struggle
of having schizophrenia. Concentrated on the layers of emotions experienced,
the uncontrollable aspects and the ups and downs.
8. I then decided to develop the
idea of my last model. I came up with a design that was harsh to look at
(referencing the Nóize chairs), worked with the conventional circular table
shape and also focused on the changes in schizophrenia (stable to psychotic
gaps in functioning thought stream).
The circular shape of the table was used to symbolise the circle of emotions.
The circular shape of the table was used to symbolise the circle of emotions.
I also introduced the idea of some
sort of viscous resin that would be dripped over the top of my table and left
to drip off the edges. This would represent the loss of control, the flowing
away of a person’s identity and the disturbance of the normal flow of thoughts.
9. Looking at my latest model I was
reminded of the cycle of schizophrenia and then tried to design a table that
would portray the 7 main stages usually encountered by a person with
schizophrenia- stable, depressed, the feeling that everything is not quite
right, deluded thoughts, erratic thoughts, hallucinations and a full on
psychotic state.
10. However when this model had been
made I felt that it did not flow properly and made a more organised
representation of schizophrenia than was true. Taking ideas from my previous models
I then created my final design. I layered all of the different states of
schizophrenia on top of each other to represents the levels of emotions, the
layering up of symptoms and the uncontrollable piling up of thoughts and
behaviour.
The top layer had holes of varying
sizes cut in to it, representing the gradual falling apart of a person’s
identity and the gaps that begin to emerge in stream of thoughts. These holes
also allow the viewer to see the second unstable layer and the things trapped on
top of it inside the resin. Objects like broken pottery, glass and mirrors were
used to symbolise the fragility of someone’s identity and the mirrors give you
an opportunity to look at yourself and encourage thoughts of reflection about
‘your identity’. The trapped messages represent the discrimination that a
person would feel-no-one to talk to, no-one to listen. They also allow the
viewer to interact with the table and to properly inspect the hidden emotions.
Objects like knives and forks trapped in the layers of the table reference
again the idea of a family table, emphasising the fact the table is not fully
functioning or being used as it’s supposed to be and again the idea of loneliness,
a table meant for family interaction is instead a reminder of the lonely life
someone with schizophrenia could lead. No-one can ever fully understand your
turmoil.
The middle layers are composed of
thinner warped wood which creates gaps in-between the table layers, like the
gaps in the brain the prohibit ‘normal’ functioning but also symbolised the
change in thinking, as new warped and deluded thoughts occur.
The bottom layers consist of
possibly a metal sheet and a sheet of wood that is roughly cut and burnt around
the edges. The metal sheet references the physical and mental barrier between
‘normal’ people and the mentally ill, whereas the roughly cut sheet of burn
wood represent the breakdown of self and the destruction of the disorder.
The four legs represent the parts of
the table on top-the two legs on the less holy side of the table are whole and
fracture-less, whereas the two on the other side are broken up into fragments
of wood nailed together. The broken legs reference the breakdown of a person’s
identity and the fracture in their sense of self.
Over the whole table there will be
clear resin. I want it to be poured over the top into the crevices and dripping
over the edges. It will harden in this shape and trap the objects in-between
the table layers. It will again represent the uncontrollable and unstoppable flowing
away of someone identity and the unpredictable consequences of the disorder.
Finally under the table will be a
bright light that shines up through the gaps, casting strange shadows onto the ceiling
and walls. This will help attract viewer’s attention and curiosity but also
represent the gaps in-between ‘normal’ thought processes and thoughts leaking
away without control.
The whole table will be suspended
slightly off the ground to again make someone stop and look twice. It will also
portray the feeling of being a puppet, controlled by an invisible entity, the
suspended wires referencing puppets strings.
The fact that my table is suspended will also mean that it is again not
functional, always referencing to the loss of normal function in a
schizophrenic brain.
11. Preparation and experiments
before making the table. Creating the files for the CNC router and playing with
the possible ways I can make parts of the table.
12. Construction of the table,
slight modifications to the design and addition of the resin.
13. Preparing the exhibition.
This is fantastic blog stuff - it also highlight how important it is to "think through materials and making". You now need to refine the materials and quality of making
ReplyDeleteWhat do you want me to look at?
ReplyDeletethe pic of us :)
Deletewell its all going well. My last comment -You now need to refine the materials and quality of making - has certainly been taken to task. You have discovered a refined method of production which fully subscribes to your stated aim "I hope to create a piece of furniture that will reflect a mentally ill person’s state of mind". It is consistency, working with clear criteria, which has guided the work to date. We now have to consider the most critical phase - presentation. We have discussed a number of reasons why the work should not be fixed to the floor - all valued and considered - but know we have to make sure these reasons are communicated. Give it some thought prior to our next discussion.
ReplyDeleteOMG - the links with the function of the brain are now becoming visually apparent. That balance between something which takes the form of the familiar ( a table in this instance), but which lacks its functionality, and something which helps the observer visualise the very complex mechanics / function of the brain is a very difficult thing to achieve but thats exactly what has been achieved here.
ReplyDelete